Sound On Sound readers might be more familiar with Avid as the parent company of Digidesign, and given how large a presence both these companies have in the post-production market, Yamaha, as the new owners of Steinberg, still face a struggle to build up Nuendo 's share of this market. As a video company, Pinnacle had their greatest success in the broadcast market, and since Avid wanted a greater presence in this sector, the acquisition makes perfect sense. It's perhaps a shame that Pinnacle didn't make more of Steinberg in terms of integrating the two company's products, although there are at least signs in version 3 of Nuendo that illustrate the cooperation that did exist, as we'll see in this review. And just when I started to write this review, a further interesting development happened when Avid announced their intention to acquire Pinnacle. Nuendo 2 was released in the months following Pinnacle's acquisition of Steinberg, while Nuendo 3 's release came just as Pinnacle sold Steinberg to Yamaha. It's been nearly two years since we reviewed Nuendo 2, Steinberg's last major version of what the company describe as their Media Production System, and it's been interesting to watch the developments to both Steinberg and Nuendo over this time. To this end, the new version 3 includes features such as AAF import/export and integration with video editing systems. Nuendo 3 in all its splendour, showing an imported OMF file from Avid Xpress Pro, the new, resizable Quicktime Video Playback window, and a slightly more polished, professional-looking user interface.Īlthough it includes all the features of Steinberg's Cubase SX3 MIDI + Audio sequencer, Nuendo is targeted at the post-production market.